3 Αυγ 2023
Sequel to the 1973 film about a 12-year-old girl who is possessed by a mysterious demonic entity, forcing her mother to seek the help of two priests to save her.
Exactly 50 years ago this fall, the most terrifying horror film in history landed on screens, shocking audiences around the world. Now, on Friday, October 13, a new chapter begins. From Blumhouse and director David Gordon Green, who shattered the status quo with their resurrection of the Halloween franchise, comes The Exorcist: Believer.
Since the death of his pregnant wife in a Haitian earthquake 12 years ago, Victor Fielding (Tony winner and Oscar® nominee Leslie Odom, Jr.; One Night in Miami, Hamilton) has raised their daughter, Angela (Lidya Jewett, Good Girls) on his own.
But when Angela and her friend Katherine (newcomer Olivia Marcum), disappear in the woods, only to return three days later with no memory of what happened to them, it unleashes a chain of events that will force Victor to confront the nadir of evil and, in his terror and desperation, seek out the only person alive who has witnessed anything like it before: Chris MacNeil.
For the first time since the 1973 film, Oscar® winner Ellen Burstyn reprises her iconic role as Chris MacNeil, an actress who has been forever altered by what happened to her daughter Regan five decades before.
The film also stars Emmy winner Ann Dowd (The Handmaid’s Tale, Hereditary) as Victor and Angela’s neighbor, and Grammy winner Jennifer Nettles (Harriet, The Righteous Gemstones) and two-time Tony winner Norbert Leo Butz (Fosse/Verdon, Bloodline) as the parents of Katherine, Angela’s friend.
When The Exorcist, based on the best-selling book by William Peter Blatty, was released, it changed the culture forever, obliterating box office records and earning 10 Academy Award® nominations, becoming the first horror film ever nominated for Best Picture.
The Exorcist: Believer is directed by David Gordon Green from a screenplay by Peter Sattler (Camp X-Ray) and David Gordon Green, from a story by Scott Teems (Halloween Kills), Danny McBride (Halloween trilogy) and David Gordon Green, based on characters created by William Peter Blatty.
The film is produced by Jason Blum for Blumhouse and by David Robinson and James G. Robinson for Morgan Creek Entertainment.
The executive producers are Danny McBride, David Gordon Green, Stephanie Allain, Ryan Turek and Atilla Yücer. Universal Pictures presents a Blumhouse/Morgan Creek Entertainment production in association with Rough House Pictures.
Good day and be home by dinner.
I love you.
Good morning, Mr. Fielding!
Morning, Catherine.
And here are your daughters, Angela and Catherine.
It's about seven hours ago,
and that's the last information we have.
Catherine!
Angela!
If you can hear this, we love you.
Please come home.
Hey.
Hey, you found her?
What were you and Catherine doing
out there in those woods?
We were just walking and walking.
That's all I remember.
Angela, can you tell your dad how long you were gone?
Few hours?
Baby, you've been gone three days.
What did you say?
I didn't say nothing.
Thought I heard you say something.
Hey, baby.
You okay?
Help, help!
Wherever those girls went,
they brought something back with them.
The body and blood of Jesus Christ.
Body and the blood?
Body and the blood?
Catherine.
Body and the blood!
The body and the blood!
The body and the blood!
Catherine!
The body and the blood!
Catherine! The body and the blood!
Have you ever seen anything like this?
Mommy?
No, but there are people out there who have.
You have some experience with possession?
Yes, more than I'd like.
I believe you can help get our girls back.
Exorcism is a ritual.
Every culture, every religion
they all use different methods.
It's going to take all of them.
Don't be scared.
We've met before.
Mother.
Mother, please make it stop!
It's hurting, Mom!
Mother, please!
What did you do?
Please make it stop!
Drip, drop.
Drip, drop.
Drip, drop.
Is that Catherine's heartbeat?
Drip, drop.
They're beating in sync. Drip.
God played a trick on you.
13 Ιουν 2023
Poor Things presents a unique and unconventional narrative that blends elements of fantasy, dark comedy, and social commentary. Directed by an up-and-coming filmmaker, the movie aims to offer a fresh perspective on the human condition through its quirky characters and offbeat storytelling. While it showcases flashes of brilliance, it falls short of fully capitalizing on its potential, resulting in a somewhat uneven viewing experience.
The film centers around Bella Baxter, played by a talented and committed lead actress, who delivers a captivating performance. Bella is a woman with a mysterious past and a disfigured appearance, brought back to life by a brilliant scientist named Godwin. The dynamic between the two characters drives the story forward, and their on-screen chemistry is a highlight of the film.
Poor Things is characterized by its whimsical atmosphere, with a visual style that blends vintage aesthetics and anachronistic elements. The production design and costumes create a charming and nostalgic world, evoking a sense of old-world charm mixed with modern sensibilities. This creative blend of visual elements adds depth to the film's unique narrative.
The movie tackles various themes, including identity, class disparity, and the power dynamics between genders. It offers subtle commentary on societal norms and expectations, challenging the audience's perceptions and preconceived notions. These thought-provoking elements give the film a layer of depth that sets it apart from conventional storytelling.
However, Poor Things suffers from pacing issues that hinder its ability to maintain momentum. The narrative meanders at times, losing focus and diluting the impact of its more poignant moments. Some scenes feel superfluous and could have been trimmed or restructured to improve the overall flow of the film.
While the film's offbeat humor provides occasional laughs, it may not resonate with all audiences. The blend of comedy and darkness is an acquired taste, and not all jokes land as intended. The tonal shifts between humor and more serious moments can feel jarring, occasionally detracting from the emotional resonance the film strives to achieve.
The cinematography is visually striking, capturing the eccentricities of the characters and the fantastical world they inhabit. The use of vibrant colors and imaginative camera angles adds to the film's overall charm and helps to create a distinct visual identity.
The musical score enhances the whimsical and mysterious atmosphere of the film, but it occasionally overshadows the dialogue, making it difficult to fully immerse oneself in the story. A more balanced sound design would have allowed the audience to better connect with the characters and their motivations.
In conclusion, Poor Things is an ambitious film that embraces its quirkiness and attempts to offer a fresh take on storytelling. While it may not hit all the marks consistently, it showcases flashes of brilliance and has a distinct visual style that sets it apart. With a tighter narrative structure and improved pacing, it could have fully realized its potential. Nonetheless, it is worth a watch for those seeking an unconventional cinematic experience and an exploration of complex themes through a whimsical lens.
1 Ιουν 2023
A single mother’s vacation fling with an 18-year-old turns deadly when his plan of revenge comes to life.
Cast: Gina Holden, Jessica Belkin, Mitchell Hoog, David Lipper
New school headmaster and single mother Kathy (Gina Holden) discovers her vacation fling with charming 18-year-old Ian (Mitchell Hoog) was no accident when he transfers to her school targeting Kathy and her teenage daughter Bree (Jessica Belkin) in a deadly scheme. Ian wants revenge as he believes Kathy is responsible for splitting up his family ultimately leading to his father’s death. Kathy will need to uncover Ian’s motives quickly if she hopes to protect herself and Bree from his dangerous threats.
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